Paul Motian
Stephen Paul Motian[1] (25 March 1931 – 22 November 2011)[2][3] was an American jazz drummer, percussionist and composer of Armenian extraction.
He first came to prominence in the late 1950s in the piano trio of Bill Evans, and later led several groups. Motian played an important role in freeing the drummer from strict time-keeping duties.
Biography
Motian was born in Philadelphia, Pennsylvania, and raised in Providence, Rhode Island. After playing guitar in his childhood, Motian began playing the drums at age 12, eventually touring New England in a swing band. During the Korean War he joined the Navy.
Motian became a professional musician in 1954, and briefly played with pianist Thelonious Monk. He became well known as the drummer in pianist Bill Evans's trio (1959–64), initially alongside bassist Scott LaFaro and later Chuck Israels.[4][5]
Subsequently he played with pianists Paul Bley (1963-4) and Keith Jarrett (1967–76). Other musicians with whom Motian performed and/or recorded in the early period of his career included Lennie Tristano, Warne Marsh,Lee Konitz,[6] Joe Castro, Arlo Guthrie (Motian performed briefly with Guthrie in 1968-69, and performed with the singer at Woodstock), Carla Bley, Charlie Haden, and Don Cherry. Motian subsequently worked with musicians such as Marilyn Crispell, Bill Frisell, Leni Stern, Joe Lovano, Alan Pasqua, Wolfgang Muthspiel, Bill McHenry, Stephane Oliva, Frank Kimbrough, and many more.
Motian was an important composer and group leader, recording initially for ECM Records in the 1970s and early 1980s and subsequently for Soul Note Records, JMT Records, and Winter & Winter Records, before returning to ECM in 2005.[4] From the early 1980s he led a trio featuring guitarist Bill Frisell and saxophonist Joe Lovano, occasionally joined by bassists Ed Schuller, Charlie Haden or Marc Johnson, and other musicians, including Jim Pepper, Lee Konitz, Dewey Redman and Geri Allen. In addition to playing Motian's compositions, the group has recorded tributes to Thelonious Monk and Bill Evans, and a series of Paul Motian on Broadway albums, featuring original interpretations of jazz standards.
Despite his important associations with pianists, Motian's work as a leader since the 1970s rarely included a pianist in his ensembles and relied heavily on guitarists. Motian's first instrument was the guitar, and he appears to have retained an affinity for the instrument: in addition to his groups with Frisell, his first two solo albums on ECM featured Sam Brown, and his Electric Bebop Band featured two and occasionally three electric guitars. The group was founded in the early 1990s, and featured a variety of young guitar and saxophone players, in addition to electric bass and Motian's drums, including saxophonists Joshua Redman, Chris Potter, Chris Cheek, and Tony Malaby, and guitarists Kurt Rosenwinkel, Brad Shepik, Wolfgang Muthspiel, Steve Cardenas, Ben Monder, and Jakob Bro.
Discography
As leader
- Conception Vessel (ECM, 1972)
- Tribute (ECM, 1974)
- Dance (ECM, 1977)
- Le Voyage (ECM, 1979)
- Psalm (ECM, 1982)
- The Story of Maryam (Soul Note, 1984)
- Jack of Clubs (Soul Note, 1985)
- It Should've Happened a Long Time Ago (ECM, 1985)
- Misterioso (Soul Note, 1986)
- One Time Out (Soul Note, 1987)
- Monk in Motian (JMT, 1988)
- On Broadway Volume 1 (JMT, 1989)
- Bill Evans (JMT, 1990)
- On Broadway Volume 2 (JMT, 1990)
- Motian in Tokyo (JMT, 1991)
- On Broadway Volume 3 (JMT, 1991)
- Paul Motian and the Electric Bebop Band (JMT, 1992)
- Trioism (JMT, 1993)
- Reincarnation of a Love Bird (JMT, 1994)
- Sound of Love (Winter & Winter, 1995 [1997])
- At the Village Vanguard (JMT, 1995)
- Flight of the Blue Jay (Winter & Winter, 1998)
- 2000 + One (Winter & Winter, 1997 [1999])
- Play Monk and Powell (Winter & Winter, 1998 [1999])
- Europe (Winter & Winter, 2000 [2001])
- Holiday for Strings (Winter & Winter, 2001 [2002])
- I Have the Room Above Her (ECM, 2004 [2005])
- Garden of Eden (ECM, 2004 [2007])
- On Broadway Vol. 4 or The Paradox of Continuity (Winter & Winter, 2005)
- Time and Time Again (ECM, 2006)
- Live at the Village Vanguard (Winter & Winter, 2006 [2007])
- Live at the Village Vanguard Vol. II (Winter & Winter, 2006 [2008])
- Live at the Village Vanguard Vol. III (Winter & Winter, 2006 [2010])
- On Broadway Volume 5 (Winter & Winter, 2009)
- Lost in a dream (ECM, March 2010)
- Windmills of Your Mind (Winter & Winter, August 2011)
As sideman
With Michael Adkins
- Rotator (HatHut, 2008)
With Samuel Blaser
- Consort In Motion (Kind Of Blue, 2011)
With Paul Bley
- Paul Bley with Gary Peacock (ECM, 1970)
- Fragments (ECM, 1986)
- Notes (Soul Note, 1987)
- The Paul Bley Quartet (ECM, 1987)
- Memoirs (Soul Note, 1990) with Charlie Haden
- Zen Palace Transheart with Steve Swallow
- Not Two, Not One (ECM, 1998) with Gary Peacock
With Marilyn Crispell
- Nothing Ever Was, Anyway: Music of Annette Peacock (ECM, 1997)
- Amaryllis (ECM, 2000)
- Storyteller (ECM, 2003)
With Bill Evans
- New Jazz Conceptions (Riverside, 1957)
- Portrait in Jazz (Riverside, 1959)
- Explorations (Riverside, 1961)
- Sunday at the Village Vanguard (Riverside, 1961)
- Waltz for Debby (Riverside, 1961)
- How My Heart Sings! (Riverside, 1962)
- Moon Beams (Riverside, 1962)
- Nirvana with Herbie Mann (Atlantic, 1962)
- Trio '64 (Verve, 1963)
With Pierre Favre
- Singing Drums (ECM, 1984)
With Bill Frisell
- Rambler (ECM, 1985)
- Bill Frisell, Ron Carter, Paul Motian (Nonesuch, 2006)
With Charlie Haden
- Liberation Music Orchestra (1969)
- Ballad of the Fallen (1980)
- Dream Keeper (1989)
- Etudes (1986) with Geri Allen & Charlie Haden
- Segments (1987) with Geri Allen & Charlie Haden
- Live at the Village Vanguard with Geri Allen & Charlie Haden
- The Montreal Tapes with Geri Allen & Charlie Haden
- The Montreal Tapes with Paul Bley & Charlie Haden
- The Montreal Tapes with Gonzalo Rubalcaba & Charlie Haden
- The Montreal Tapes with Liberation Music Orchestra
With Keith Jarrett
- Life Between The Exit Signs (1967)
- Somewhere Before (1969)
- Expectations (1972)
- The Mourning of a Star (1973)
- Fort Yawuh (1973)
- Treasure Island (1974)
- Backhand (1974)
- Death and the Flower (1974)
- El Juicio (The Judgement) (1975)
- Shades (1975)
- The Survivors' Suite (1976)
- Bop-Be (1976)
- Eyes of the Heart (1979)
- At the Deer Head Inn (1992)
With Frank Kimbrough
- Play (2006)
With Russ Lossing
- Dreamer (2000)
- As It Grows (2004)
With Joe Lovano
- Village Rhythm (Soul Note, 1988)
With Bill McHenry
- Featuring Paul Motian Fresh Sound New Talent
- Roses Sunny Side Records
With Augusto Pirodda
- No Comment (Jazzwerkstatt, 2011)
With Enrico Rava
- Tati (ECM, 2004)
- New York Days (ECM, 2008)
With Steve Swallow, Gil Goldstein and Pietro Tonolo
With Jacob Sacks, Eivind Opsvik and Mat Maneri
- 2 miles a day Yeah Yeah Records
References
SOURCE: Wikpedia - Creative Commons license
External links
Persondata | |
---|---|
NAME | Motian, Paul |
ALTERNATIVE NAMES | |
SHORT DESCRIPTION | |
DATE OF BIRTH | 25 March 1931 |
PLACE OF BIRTH | |
DATE OF DEATH | 22 November 2011 |
PLACE OF DEATH |
- ↑ His surname is Armenian, and is often mispronounced "Moe-tee-un;" however, Paul Motian pronounces it "MO-shun."[1]
- ↑ "Paul Motian Dies at 80". JazzTimes. http://jazztimes.com/sections/news/articles/28981-paul-motian-dies-at-80. Retrieved 22 November 2011.
- ↑ Paul Motian, Jazz Drummer, Is Dead at 80, The New York Times, November 22, 2011
- ↑ 4.0 4.1 Huey, Steve. [[[:Template:Allmusic]] "Paul Motian: Biography"]. Allmusic. Template:Allmusic. Retrieved 23 November 2011.
- ↑ Berendt, Joachim-Ernst (1976). The Jazz Book. Paladin. p. 298.
- ↑ Ind, Peter (2005). Jazz Visions:Lennie Tristano and his legacy. Equinox. p. 74. ISBN 9781845532819.